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Jan 29, 2014 3:41pm

You have probably seen the billboards, the blogger posts, the banner ads, the news spots, and maybe even the TV commercials (apparently people still watch TV?). Even a faux demonstration of grammarians protesting the gross...


Jan 08, 2014 2:19pm

My Bloody Valentine

M B V (self-released;

To hear the new My Bloody Valentine record, some 22 years after the release of its seminal Loveless album, requires a balancing act, for one ear is taking it in as a adult and music critic, and the other as the 15-year-old enthralled by the psychedelic rush of shoegaze music.

The band’s leader, Kevin Shields, doesn’t make that experience any easier through his divisive track-listing. The first four songs are gauzy, immersive and blissed-out guitar clouds, mostly sung by guitarist/vocalist Bilinda Butcher as if she is having an out-of-body-experience and singing to herself through a reverb fog. They’re comforting and well-layered, but still boilerplate for a band that’s tinkered with them off and on since 1996.

Then, at the end of “If I Am,” a squiggle effect all but marks the end of that aural massage and transitions into a decidedly more experimental and innervating suite of songs, from the Stereolab-meets-Eno synth meditation “Is This and Yes” to the closing “Wonder 2,” which sounds like an F-16 squadron demonstration scored to breakbeats. It is this half-plus of the record where Shields deftly applies modern music stylings to his pioneering six-string symphonics. It’s also the segment that reminds me of what I felt when I first heard MBV’s “Only Shallow” in 1991 — simultaneously stunned, transported and baffled at how someone could make such an intricately beautiful racket.

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